by EricGBVD
Le Tapis Vert, 1929, Georges Braque - In this still life, flat planes of neutral color advance and recede against the picture plane, emphasizing its two-dimensionality even as they overlap, merge, and collide to suggest three-dimensional objects arranged on a precariously tipped table. Analytical Cubism's dissolution of form has been replaced by the build-up of shapes into an easily readable composition that represents rather than replicates nature, as indicated in the trompe l'oeil frame that just barely contains the grapes, glass, apple, pipe, and bowl within its borders.
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