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TOKYO, JAPAN - August 16, 2018: Event "Be the change Tokyo 2020" organized on the theme of the future Olympic Games in Tokyo in 2020. In the Tokyo Midtown area of Hibiya stood a huge inflatable structure in the shape of an athlete at the start of a race. Around this monument passers-by could test nearly twenty Olympic sports disciplines to rediscover in a fun way the incredible limits exceeded by the top athletes. The hashtag was #NOT ORDINARY 2020. TOKYO, JAPAN - August 16, 2018: Event "Be the change Tokyo 2020" organized on the theme of the future Olympic Games in Tokyo in 2020. In the Tokyo Midtown area of Hibiya stood a huge inflatable structure in the shape of an athlete at the start of a race. Around this monument passers-by could test nearly twenty Olympic sports disciplines to rediscover in a fun way the incredible limits exceeded by the top athletes. The hashtag was #NOT ORDINARY 2020. TOKYO, JAPAN - August 16, 2018: Event "Be the change Tokyo 2020" organized on the theme of the future Olympic Games in Tokyo in 2020. In the Tokyo Midtown area of Hibiya stood a huge inflatable structure in the shape of an athlete at the start of a race. Around this monument passers-by could test nearly twenty Olympic sports disciplines to rediscover in a fun way the incredible limits exceeded by the top athletes. The hashtag was #NOT ORDINARY 2020. Underpass brick arches wall under the railway line of the Yurakucho Station. Underpass Yurakucho Concourse under the railway line of the station Yurakucho. Japanese noodle yakitori sashimi stalls and sake bars revive the nostalgic years of Showa air with old posters and placards glued to the walls of the tunnel. Old vintage retro japanese metal signs and red rice paper lantern where it is written "Oshokujidokoro" which means "Meal" on underpass Yurakucho Concourse wall under the railway line of the station Yurakucho. Japanese noodle stalls and sake bars revive the nostalgic years of Showa air with old samurai posters and placards glued to the walls of the tunnel. Background texture of corrugated rusty metal ceiling equipped with three bulbs on underpass Yurakucho Concourse under the railway line of the station Yurakucho. Japanese noodle stalls and sake bars revive the nostalgic years of Showa air with old samurai posters and placards glued to the walls of the tunnel. Old vintage retro japanese metal signs and red rice paper lantern where it is written "Oshokujidokoro" which means "Meal" on underpass Yurakucho Concourse wall under the railway line of the station Yurakucho. Japanese noodle stalls and sake bars revive the nostalgic years of Showa air with old samurai posters and placards glued to the walls of the tunnel. Old vintage retro japanese movie posters on underpass Yurakucho Concourse wall under the railway line of the station Yurakucho. Japanese noodle stalls and sake bars revive the nostalgic years of Showa air with old samurai posters, french nouvelle vague movie poster and placards glued to the walls of the tunnel. Old vintage retro japanese samurai movie posters and rusty metal advertising sign of old sake brand on underpass Yurakucho Concourse wall under the railway line of the station Yurakucho. Japanese noodle stalls and sake bars revive the nostalgic years of Showa air with old samurai posters and placards glued to the walls of the tunnel. Old vintage retro japanese movie posters on underpass Yurakucho Concourse wall under the railway line of the station Yurakucho. Japanese noodle stalls and sake bars revive the nostalgic years of Showa air with old samurai posters and placards glued to the walls of the tunnel. Traditional retro red rice paper lantern where it is written "Oshokujidokoro" which means "Meal" on underpass Yurakucho Concourse wall under the railway line of the station Yurakucho. Japanese noodle stalls and sake bars revive the nostalgic years of Showa air with old posters and placards glued to the walls of the tunnel. Traditional retro red rice paper lantern where it is written "Oshokujidokoro" which means "Meal" on underpass Yurakucho Concourse wall under the railway line of the station Yurakucho. Japanese noodle stalls and sake bars revive the nostalgic years of Showa air with old posters and placards glued to the walls of the tunnel. Round transparent plastic sign of Shinbashi on underpass Yurakucho Concourse wall under the railway line of the station Yurakucho. Japanese noodle stalls and sake bars revive the nostalgic years of Showa air with old posters and placards glued to the walls of the tunnel. Round transparent plastic sign of Tokyo Station on underpass Yurakucho Concourse wall under the railway line of the station Yurakucho. Japanese noodle stalls and sake bars revive the nostalgic years of Showa air with old posters and placards glued to the walls of the tunnel. Underpass Yurakucho Concourse under the railway line of the station Yurakucho. Japanese noodle stalls and sake bars revive the nostalgic years of Showa air with old posters and placards glued to the walls of the tunnel. Underpass Yurakucho Concourse under the railway line of the station Yurakucho. Japanese noodle stalls and sake bars revive the nostalgic years of Showa air with old posters and placards glued to the walls of the tunnel. Underpass Yurakucho Concourse under the railway line of the station Yurakucho. Japanese noodle stalls and sake bars revive the nostalgic years of Showa air with old posters and placards glued to the walls of the tunnel. Meiji Avenue with the Ojiekimae station of the Toden Arakawa tram line in the Kita district, north of Tokyo. Oji station JR Keihin Tohoku Line in the Kita district, north of Tokyo. The pedestrian walkway spans the intersection of Meiji Avenue where the Ojiekimae station of the Toden Arakawa tram line is famous for its retro style. Oji station JR Keihin Tohoku Line in the Kita district, north of Tokyo. The pedestrian walkway spans the intersection of Meiji Avenue where the Ojiekimae station of the Toden Arakawa tram line is famous for its retro style. Oji station JR Keihin Tohoku Line in the Kita district, north of Tokyo. The pedestrian walkway spans the intersection of Meiji Avenue where the Ojiekimae station of the Toden Arakawa tram line is famous for its retro style. Small Shinto Santuary dedicated to the Uga-no-Mitama divinity meaning "the spirit of the rice in storehouses" which is associated with food and agriculture and which is often represented in the form of the fox Inari the divinity of rice. Located in the city of Oji in the district of Kita north of Tokyo, this place once owned a tree Enoki Celtis sinensis Micocoulier which stood in the middle of the rice fields. On New Year's Eve, foxes from all over the region gathered here and there were signs of will-o'-the-wisps, which made the superstitious peasants count their numbers and used that to predict a good or bad harvest for next year. The two foxes sit on a stone pedestal or two signifying ideograms offering "Houken" are inscribed on both sides. At the top of the steps is a box to collect the donators' coins where the word offering "Hounou" is inscribed with a stylized symbol of rice shoots and a fox head at its center. On the yellow lantern and above the door are inscribed the name of Shozoku Inari Shrine. This scene is represented in the series of prints "One Hundred Famous Views of Edo" by Utagawa Hiroshige. Poem of the 18th century Japanese poet Ota Nanpo on a large stone stele about foxes in the small Shinto Santuary dedicated to the Uga-no-Mitama divinity meaning "the spirit of the rice in storehouses" which is associated with food and agriculture and which is often represented in the form of the fox Inari the divinity of rice. Located in the city of Oji in the district of Kita north of Tokyo, this place once owned a tree Enoki Celtis sinensis Micocoulier which stood in the middle of the rice fields. On New Year's Eve, foxes from all over the region gathered here and there were signs of will-o'-the-wisps, which made the superstitious peasants count their numbers and used that to predict a good or bad harvest for next year. This scene is represented in the series of prints "One Hundred Famous Views of Edo" by Utagawa Hiroshige. Small Shinto Santuary dedicated to the Uga-no-Mitama divinity meaning "the spirit of the rice in storehouses" which is associated with food and agriculture and which is often represented in the form of the fox Inari the divinity of rice. On the yellow paper lanterns that are hanging under a trellis shaded by foliage are drawn symbols that remind you of the will-o'-the-wisles and ideograms "Shuzoku Enoki" from the name of the tree where the foxes gathered or "kitsunebi" which means Fox ghost light. Located in the city of Oji in the district of Kita north of Tokyo, this place once owned a tree Enoki Celtis sinensis Micocoulier which stood in the middle of the rice fields. On New Year's Eve, foxes from all over the region gathered here and there were signs of will-o'-the-wisps, which made the superstitious peasants count their numbers and used that to predict a good or bad harvest for next year. The two foxes sit on a stone pedestal or two signifying ideograms offering "Houken" are inscribed on both sides. At the top of the steps is a box to collect the donators' coins where the word offering "Hounou" is inscribed with a stylized symbol of rice shoots and a fox head at its center. On the red flags called "nobori" are inscribed the name of Shozoku Inari Shrine. This scene is represented in the series of prints "One Hundred Famous Views of Edo" by Utagawa Hiroshige. Torii gate of small Shinto Santuary dedicated to the Uga-no-Mitama divinity meaning "the spirit of the rice in storehouses" which is associated with food and agriculture and which is often represented in the form of the fox Inari the divinity of rice. On the yellow paper lanterns that are hanging under a trellis shaded by foliage are drawn symbols that remind you of the will-o'-the-wisles and ideograms "Shuzoku Enoki" from the name of the tree where the foxes gathered or "kitsunebi" which means Fox ghost light. Located in the city of Oji in the district of Kita north of Tokyo, this place once owned a tree Enoki Celtis sinensis Micocoulier which stood in the middle of the rice fields. On New Year's Eve, foxes from all over the region gathered here and there were signs of will-o'-the-wisps, which made the superstitious peasants count their numbers and used that to predict a good or bad harvest for next year. The two foxes sit on a stone pedestal or two signifying ideograms offering "Houken" are inscribed on both sides. At the top of the steps is a box to collect the donators' coins where the word offering "Hounou" is inscribed with a stylized symbol of rice shoots and a fox head at its center. This scene is represented in the series of prints "One Hundred Famous Views of Edo" by Utagawa Hiroshige. Torii gate of small Shinto Santuary dedicated to the Uga-no-Mitama divinity meaning "the spirit of the rice in storehouses" which is associated with food and agriculture and which is often represented in the form of the fox Inari the divinity of rice. On the yellow paper lanterns that are hanging under a trellis shaded by foliage are drawn symbols that remind you of the will-o'-the-wisles and ideograms "Shuzoku Enoki" from the name of the tree where the foxes gathered or "kitsunebi" which means Fox ghost light. Located in the city of Oji in the district of Kita north of Tokyo, this place once owned a tree Enoki Celtis sinensis Micocoulier which stood in the middle of the rice fields. On New Year's Eve, foxes from all over the region gathered here and there were signs of will-o'-the-wisps, which made the superstitious peasants count their numbers and used that to predict a good or bad harvest for next year. The two foxes sit on a stone pedestal or two signifying ideograms offering "Houken" are inscribed on both sides. At the top of the steps is a box to collect the donators' coins where the word offering "Hounou" is inscribed with a stylized symbol of rice shoots and a fox head at its center. On the red flags called "nobori" are inscribed the name of Shozoku Inari Shrine. This scene is represented in the series of prints "One Hundred Famous Views of Edo" by Utagawa Hiroshige. Small Shinto Santuary dedicated to the Uga-no-Mitama divinity meaning "the spirit of the rice in storehouses" which is associated with food and agriculture and which is often represented in the form of the fox Inari the divinity of rice. Located in the city of Oji in the district of Kita north of Tokyo, this place once owned a tree Enoki Celtis sinensis Micocoulier which stood in the middle of the rice fields. On New Year's Eve, foxes from all over the region gathered here and there were signs of will-o'-the-wisps, which made the superstitious peasants count their numbers and used that to predict a good or bad harvest for next year. The two foxes sit on a stone pedestal or two signifying ideograms offering "Houken" are inscribed on both sides. At the top of the steps is a box to collect the donators' coins where the word offering "Hounou" is inscribed with a stylized symbol of rice shoots and a fox head at its center. On the red lantern and above the door are inscribed the name of Shozoku Inari Shrine. This scene is represented in the series of prints "One Hundred Famous Views of Edo" by Utagawa Hiroshige. Small Shinto Santuary dedicated to the Uga-no-Mitama divinity meaning "the spirit of the rice in storehouses" which is associated with food and agriculture and which is often represented in the form of the fox Inari the divinity of rice. Located in the city of Oji in the district of Kita north of Tokyo, this place once owned a tree Enoki Celtis sinensis Micocoulier which stood in the middle of the rice fields. On New Year's Eve, foxes from all over the region gathered here and there were signs of will-o'-the-wisps, which made the superstitious peasants count their numbers and used that to predict a good or bad harvest for next year. The two foxes sit on a stone pedestal or two signifying ideograms offering "Houken" are inscribed on both sides. At the top of the steps is a box to collect the donators' coins where the word offering "Hounou" is inscribed with a stylized symbol of rice shoots and a fox head at its center. On the red lanterns and above the door are inscribed the name of Shozoku Inari Shrine. This scene is represented in the series of prints "One Hundred Famous Views of Edo" by Utagawa Hiroshige. Stone lantern covered with green moss in a small Shinto Santuary dedicated to the Uga-no-Mitama divinity meaning "the spirit of the rice in storehouses" which is associated with food and agriculture and which is often represented in the form of the fox Inari the divinity of rice. On the yellow paper lanterns that are hanging under a trellis shaded by foliage are drawn symbols that remind you of the will-o'-the-wisles and ideograms "Shuzoku Enoki" from the name of the tree where the foxes gathered or "kitsunebi" which means Fox ghost light. Stone lantern covered with green moss in a small Shinto Santuary dedicated to the Uga-no-Mitama divinity meaning "the spirit of the rice in storehouses" which is associated with food and agriculture and which is often represented in the form of the fox Inari the divinity of rice. On the yellow paper lanterns that are hanging under a trellis shaded by foliage are drawn symbols that remind you of the will-o'-the-wisles and ideograms "Shuzoku Enoki" from the name of the tree where the foxes gathered or "kitsunebi" which means Fox ghost light. On the red flags called nobori which border the path of the sanctuary are inscribed Shozoku Inari Shrine, the date of February 2018 and the name of the donors in the white rectangle. Located in the city of Oji in the district of Kita north of Tokyo, this place once owned a tree Enoki Celtis sinensis Micocoulier which stood in the middle of the rice fields. On New Year's Eve, foxes from all over the region gathered here and there were signs of will-o'-the-wisps, which made the superstitious peasants count their numbers and used that to predict a good or bad harvest for next year. This scene is represented in the series of prints "One Hundred Famous Views of Edo" by Utagawa Hiroshige. Located in the city of Oji in the district of Kita north of Tokyo, this place once owned a tree Enoki Celtis sinensis Micocoulier which stood in the middle of the rice fields. On New Year's Eve, foxes from all over t Stone lantern covered with green moss in a small Shinto Santuary dedicated to the Uga-no-Mitama divinity meaning "the spirit of the rice in storehouses" which is associated with food and agriculture and which is often represented in the form of the fox Inari the divinity of rice. On the yellow paper lanterns that are hanging under a trellis shaded by foliage are drawn symbols that remind you of the will-o'-the-wisles and ideograms "Shuzoku Enoki" from the name of the tree where the foxes gathered or "kitsunebi" which means Fox ghost light. On the red flags called nobori which border the path of the sanctuary are inscribed Shozoku Inari Shrine, the date of February 2018 and the name of the donors in the white rectangle. Located in the city of Oji in the district of Kita north of Tokyo, this place once owned a tree Enoki Celtis sinensis Micocoulier which stood in the middle of the rice fields. On New Year's Eve, foxes from all over the region gathered here and there were signs of will-o'-the-wisps, which made the superstitious peasants count their numbers and used that to predict a good or bad harvest for next year. This scene is represented in the series of prints "One Hundred Famous Views of Edo" by Utagawa Hiroshige. Stone lantern covered with green moss in a small Shinto Santuary dedicated to the Uga-no-Mitama divinity meaning "the spirit of the rice in storehouses" which is associated with food and agriculture and which is often represented in the form of the fox Inari the divinity of rice. On the yellow paper lanterns that are hanging under a trellis shaded by foliage are drawn symbols that remind you of the will-o'-the-wisles and ideograms "Shuzoku Enoki" from the name of the tree where the foxes gathered or "kitsunebi" which means Fox ghost light. On the red flags called nobori which border the path of the sanctuary are inscribed Shozoku Inari Shrine, the date of February 2018 and the name of the donors in the white rectangle. Located in the city of Oji in the district of Kita north of Tokyo, this place once owned a tree Enoki Celtis sinensis Micocoulier which stood in the middle of the rice fields. On New Year's Eve, foxes from all over the region gathered here and there were signs of will-o'-the-wisps, which made the superstitious peasants count their numbers and used that to predict a good or bad harvest for next year. This scene is represented in the series of prints "One Hundred Famous Views of Edo" by Utagawa Hiroshige. Small Shinto Santuary dedicated to the Uga-no-Mitama divinity meaning "the spirit of the rice in storehouses" which is associated with food and agriculture and which is often represented in the form of the fox Inari the divinity of rice. Located in the city of Oji in the district of Kita north of Tokyo, this place once owned a tree Enoki Celtis sinensis Micocoulier which stood in the middle of the rice fields. On New Year's Eve, foxes from all over the region gathered here and there were signs of will-o'-the-wisps, which made the superstitious peasants count their numbers and used that to predict a good or bad harvest for next year. This scene is represented in the series of prints "One Hundred Famous Views of Edo" by Utagawa Hiroshige. Small Shinto Santuary dedicated to the Uga-no-Mitama divinity meaning "the spirit of the rice in storehouses" which is associated with food and agriculture and which is often represented in the form of the fox Inari the divinity of rice. On the yellow paper lanterns that are hanging under a trellis shaded by foliage are drawn symbols that remind you of the will-o'-the-wisles and ideograms "Shuzoku Enoki" from the name of the tree where the foxes gathered or "kitsunebi" which means Fox ghost light. Located in the city of Oji in the district of Kita north of Tokyo, this place once owned a tree Enoki Celtis sinensis Micocoulier which stood in the middle of the rice fields. On New Year's Eve, foxes from all over the region gathered here and there were signs of will-o'-the-wisps, which made the superstitious peasants count their numbers and used that to predict a good or bad harvest for next year. The two foxes sit on a stone pedestal or two signifying ideograms offering "Houken" are inscribed on both sides. At the top of the steps is a box to collect the donators' coins where the word offering "Hounou" is inscribed with a stylized symbol of rice shoots and a fox head at its center. On the yellow lantern and above the door are inscribed the name of Shozoku Inari Shrine. This scene is represented in the series of prints "One Hundred Famous Views of Edo" by Utagawa Hiroshige. Small Shinto Santuary dedicated to the Uga-no-Mitama divinity meaning "the spirit of the rice in storehouses" which is associated with food and agriculture and which is often represented in the form of the fox Inari the divinity of rice. Located in the city of Oji in the district of Kita north of Tokyo, this place once owned a tree Enoki Celtis sinensis Micocoulier which stood in the middle of the rice fields. On New Year's Eve, foxes from all over the region gathered here and there were signs of will-o'-the-wisps, which made the superstitious peasants count their numbers and used that to predict a good or bad harvest for next year. This scene is represented in the series of prints "One Hundred Famous Views of Edo" by Utagawa Hiroshige. Small Shinto Santuary dedicated to the Uga-no-Mitama divinity meaning "the spirit of the rice in storehouses" which is associated with food and agriculture and which is often represented in the form of the fox Inari the divinity of rice. On the yellow paper lanterns that are hanging under a trellis shaded by foliage are drawn symbols that remind you of the will-o'-the-wisles and ideograms "Shuzoku Enoki" from the name of the tree where the foxes gathered or "kitsunebi" which means Fox ghost light. Located in the city of Oji in the district of Kita north of Tokyo, this place once owned a tree Enoki Celtis sinensis Micocoulier which stood in the middle of the rice fields. On New Year's Eve, foxes from all over the region gathered here and there were signs of will-o'-the-wisps, which made the superstitious peasants count their numbers and used that to predict a good or bad harvest for next year. The two foxes sit on a stone pedestal or two signifying ideograms offering "Houken" are inscribed on both sides. At the top of the steps is a box to collect the donators' coins where the word offering "Hounou" is inscribed with a stylized symbol of rice shoots and a fox head at its center. On the yellow lantern and above the door are inscribed the name of Shozoku Inari Shrine. This scene is represented in the series of prints "One Hundred Famous Views of Edo" by Utagawa Hiroshige. Small Shinto Santuary dedicated to the Uga-no-Mitama divinity meaning "the spirit of the rice in storehouses" which is associated with food and agriculture and which is often represented in the form of the fox Inari the divinity of rice. Located in the city of Oji in the district of Kita north of Tokyo, this place once owned a tree Enoki Celtis sinensis Micocoulier which stood in the middle of the rice fields. On New Year's Eve, foxes from all over the region gathered here and there were signs of will-o'-the-wisps, which made the superstitious peasants make donations to the animal to get good crops the following year. At the top of the steps is a box to collect the donators' coins where the word offering "Hounou" is inscribed with a stylized symbol of rice shoots and a fox head at its center. Small Shinto Santuary dedicated to the Uga-no-Mitama divinity meaning "the spirit of the rice in storehouses" which is associated with food and agriculture and which is often represented in the form of the fox Inari the divinity of rice. Located in the city of Oji in the district of Kita north of Tokyo, this place once owned a tree Enoki Celtis sinensis Micocoulier which stood in the middle of the rice fields. On New Year's Eve, foxes from all over the region gathered here and there were signs of will-o'-the-wisps, which made the superstitious peasants make donations to the animal to get good crops the following year. At the top of the steps is a box to collect the donators' coins where the word offering "Hounou" is inscribed with a stylized symbol of rice shoots and a fox head at its center. On the lanterns and above the door are inscribed the name of Shozoku Inari Shrine. Small Shinto Santuary dedicated to the Uga-no-Mitama divinity meaning "the spirit of the rice in storehouses" which is associated with food and agriculture and which is often represented in the form of the fox Inari the divinity of rice. Located in the city of Oji in the district of Kita north of Tokyo, this place once owned a tree Enoki Celtis sinensis Micocoulier which stood in the middle of the rice fields. On New Year's Eve, foxes from all over the region gathered here and there were signs of will-o'-the-wisps, which made the superstitious peasants make donations to the animal to get good crops the following year. The two foxes sit on a stone pedestal or two signifying ideograms offering "Houken" are inscribed on both sides. At the top of the steps is a box to collect the donators' coins where the word offering "Hounou" is inscribed with a stylized symbol of rice shoots and a fox head at its center. On the lanterns and above the door are inscribed the name of Shozoku Inari Shrine. Crossing platform of a Manda pedestrian bridge with path for the blind in the center on Route 306 in the Kita district, north of Tokyo. Highway on Pillars on Highway 306 from Manda Bridge in Kita Borough north of Tokyo under blue summer sky Statue of a Moai head surrounded by tropical flowers at the west exit of Shibuya Station in Tokyo, Japan. This statue was donated in 1980 by the prefecture of Nijima island of Izu archipelago to commemorate the 100 years of the transfer of the island in Tokyo Prefecture. Statue of a Moai head surrounded by tropical flowers at the west exit of Shibuya Station in Tokyo, Japan. This statue was donated in 1980 by the prefecture of Nijima island of Izu archipelago to commemorate the 100 years of the transfer of the island in Tokyo Prefecture. Statue of a Moai head surrounded by tropical flowers at the west exit of Shibuya Station in Tokyo, Japan. This statue was donated in 1980 by the prefecture of Nijima island of Izu archipelago to commemorate the 100 years of the transfer of the island in Tokyo Prefecture. Terrace Mag's Park renovated in 2018 of the 109 Mens building built in 1987 dedicated to men's fashion. The terrace, whose walls display a very graphic universe inspired by video games, leads to Shibuya Crossing View, a gazebo overlooking Shibuya's Pedestrian scramble. Modern style metal entrance gate with the name of Shibuya Center Gai Street on each side, which literally means Shibuya Central District. The busiest street once intersected with Shibuya Station, it stretches for 350 meters and incorporates the adjacent streets of Bunkamura, Inokashira and Utagawa into its neighborhood. After the collapse of the old portal that caused several casualties during a typhoon in 1997, the current portal was built and in 2011 the street was renamed Basketball Street in reference to the holy place of Japanese basketball which is the Yoyogi National Gymnasium to which this street leads. The photo is taken in summer at the Tanabata Star Festival where the portal is adorned with paper decorations in the shape of shooting stars for the occasion. Large mural of the Shibuya station representing the dog Hachiko surrounded by twenty other akitaken dogs. Its size is 4 meters by 20 meters. Large mural of the Shibuya station representing the dog Hachiko surrounded by twenty other akitaken dogs. Its size is 4 meters by 20 meters. Large mural of the Shibuya station representing the dog Hachiko surrounded by twenty other akitaken dogs. Its size is 4 meters by 20 meters. Sunset sky on Shibuya Center Gai Street which literally means Shibuya Central District. The busiest street once intersected with Shibuya Station, it stretches for 350 meters and incorporates the adjacent streets of Bunkamura, Inokashira and Utagawa into its neighborhood. In 2011 the street was renamed Basketball Street in reference to the holy place of Japanese basketball which is the Yoyogi National Gymnasium to which this street leads. The photo is taken in summer at the Tanabata Star Festival where the portal is adorned with paper decorations in the shape of shooting stars for the occasion.