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Rupee Symbol on Hundred rupee banknote Rupee Symbol on Hundred rupee banknote Hundred rupee written in Hindi language on Hundred rupee banknote Rupee Symbol on Twenty rupee banknote Twenty rupee written in Hindi language on Twenty rupee banknote Mahatma Gandhi Ten rupee written in English language on Ten rupee banknote Rupee Symbol on Ten rupee banknote Ten rupee written in Hindi language on Ten rupee banknote Ten rupee written in Hindi language on Ten rupee banknote Ten rupee banknote Back Side Ten rupee written in English language on Ten rupee banknote Ten rupee written in Hindi language on Ten rupee banknote Ten rupee banknote Front Side Two rupee written in English language on Two rupee banknote Two rupee written in Hindi language on Two rupee banknote Two rupee banknote Front Side One rupee written in Hindi language on One rupee banknote One rupee written in Hindi language on One rupee banknote One rupee written in Hindi language on One rupee banknote One rupee written in English language on One rupee banknote Paper Boat Paper Man, Success Concept Paper Boat on water, Concept Origami Paper boat VOTE word written on paper Voter Dropping Vote in Voter Box, Concept Human Raised hands with VOTE word, Concept VOTE word written on paper Voter Dropping Vote in Voter Box, Concept Carved marble window, Mughal style at the Bibi-ka-Maqbara, Aurangabad, Maharashtra, India. The Bibi Ka Maqbara, Tomb of the Lady is a maqbara located in Aurangabad, Maharashtra, India. It was commissioned by the sixth Mughal Emperor Aurangzeb in the late 17th century in the memory of his first wife, Dilras Banu Begum or Rabia-ud-Daurani. It bears a striking resemblance to the famous Taj Mahal. Decorative design of Entrance in Bibi-ka-Maqbara, Aurangabad , Maharashtra, India. The Bibi Ka Maqbara, Tomb of the Lady is a maqbara located in Aurangabad, Maharashtra, India. It was commissioned by the sixth Mughal Emperor Aurangzeb in the late 17th century in the memory of his first wife, Dilras Banu Begum or Rabia-ud-Daurani. It bears a striking resemblance to the famous Taj Mahal. Sculpture at Aurangabad Cave 3, Aurangabad, Maharashtra, India. The Aurangabad caves are 12 artificial rock-cut Buddhist shrines located on a hill running roughly east to west, nearly 2 km north from Bibi Ka Maqbara in Aurangabad, Maharashtra, India. The Aurangabad Caves were dug out of comparatively soft basalt rock during the 6th and 7th century. Caves are divided into three separate groups depending on their location. Carving at Aurangabad Cave 3, Aurangabad, Maharashtra, India. The Aurangabad caves are 12 artificial rock-cut Buddhist shrines located on a hill running roughly east to west, nearly 2 km north from Bibi Ka Maqbara in Aurangabad, Maharashtra, India. The Aurangabad Caves were dug out of comparatively soft basalt rock during the 6th and 7th century. Caves are divided into three separate groups depending on their location. Carving at Aurangabad Cave 3, Aurangabad, Maharashtra, India. The Aurangabad caves are 12 artificial rock-cut Buddhist shrines located on a hill running roughly east to west, nearly 2 km north from Bibi Ka Maqbara in Aurangabad, Maharashtra, India. The Aurangabad Caves were dug out of comparatively soft basalt rock during the 6th and 7th century. Caves are divided into three separate groups depending on their location. Miracle of Sravasti, Aurangabad Cave No. 2, where the Buddha transforms himself into a thousand Buddhas, Aurangabad, Maharashtra, India. The Aurangabad caves are 12 artificial rock-cut Buddhist shrines located on a hill running roughly east to west, nearly 2 km north from Bibi Ka Maqbara in Aurangabad, Maharashtra, India. The Aurangabad Caves were dug out of comparatively soft basalt rock during the 6th and 7th century. Caves are divided into three separate groups depending on their location. The Aurangabad caves are 12 artificial rock-cut Buddhist shrines located on a hill running roughly east to west, nearly 2 km north from Bibi Ka Maqbara in Aurangabad, Maharashtra, India. The Aurangabad Caves were dug out of comparatively soft basalt rock during the 6th and 7th century. Caves are divided into three separate groups depending on their location. Facade of Ajanta Cave 1, Ajanta, Aurangabad, Maharashtra, India. The Ajanta Caves in Aurangabad district of Maharashtra, India are about 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 or 650 CE.The caves include paintings and sculptures described by the government Archaeological Survey of India as "the finest surviving examples of Indian art, particularly painting, which are masterpieces of Buddhist religious art, with figures of the Buddha and depictions of the Jataka tales. Close up face of calm Buddha, Ajanta Cave No. 26, Ajanta, Aurangabad, Maharashtra, India Entrance Ceiling painting at Ajanta Cave No. 17, outer porch, Ajanta, Aurangabad, Maharashtra, India. The Ajanta Caves in Aurangabad district of Maharashtra, India are about 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 or 650 CE.The caves include paintings and sculptures described by the government Archaeological Survey of India as "the finest surviving examples of Indian art, particularly painting, which are masterpieces of Buddhist religious art, with figures of the Buddha and depictions of the Jataka tales. Miracle of Sravasti, Ajanta Cave No. 7, where the Buddha transforms himself into a thousand Buddhas. The Ajanta Caves in Aurangabad district of Maharashtra, India are about 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 or 650 CE.The caves include paintings and sculptures described by the government Archaeological Survey of India as "the finest surviving examples of Indian art, particularly painting, which are masterpieces of Buddhist religious art, with figures of the Buddha and depictions of the Jataka tales. Sculpture of Lord Buddha at Ajanta Cave 4 porch, Ajanta, Aurangabad, Maharashtra, India Leaves of Cassia leptophylla Placed together to create a larger background Lepidagathis fischeri is a striking species of the Acanthaceae family found in fire-prone habitats. It has peculiar, dense, cushion-like heads of flowers held at the base of the plant, which is surrounded by radiating, leafy stems. Thread Sprangletop is a tufted, ascending to erect annual grass. The stems are commonly jointed near base. Leaf sheaths have fine, bulbous-based hairs. Pteris vittata, commonly known as the Chinese brake, Chinese ladder brake, ladder brake is a fern species in the Pteridoideae subfamily of the Pteridaceae. Lepidagathis fischeri is a striking species of the Acanthaceae family found in fire-prone habitats. It has peculiar, dense, cushion-like heads of flowers held at the base of the plant, which is surrounded by radiating, leafy stems. Linum mysorense is an annual herb, growing up to a foot high. Slender stems are erect and leafy, and branched at the top. Oblong stalkless leaves are alternately arranged, Small yellow flowers occur in a large corymblike panicle. The flowers have 5 petals and 5 stamens. Yellow Tussock Moth - Euproctis lutea Comb Rungia is a small annual herb, abundantly found on rocky surfaces. The species name pectinata means comb-like, probably referring to the resemblance of the flower-spike to a comb.